Glossary.
Materials used in 19th and 20th century Plaster Architecture.
By: JoAnn Cassar and Roberta de
Angelis
I, J, K. (indian red - kieselguhr)
Indian red - A red iron oxide
powder used as an artists pigment. Indian red is a brick red colour. It
was originally the name for a red earth pigment imported from the Persian
Gulf and India. In the early 18th century, a synthetic Indian red composed
of pure ferric oxide was made from steel mill wastes. It is a dense, opaque,
permanent pigment. It is listed among the pigments used for colouring stucco
marble in the nineteenth and twentieth century.
Synonyms: India red; Venetian red;
red iron oxide; Pigment Red 101; colcothar; Pompeian red; light red; roofers
red; iron saffron
Wittenburg (1999); Museum of Fine
Arts, Boston (2000)
Indigo C16H10N2O2
- A natural dark blue dye obtained from Indigofera tinctoria plants
native to India, Java and other tropical areas. The use of indigo was first
mentioned in Indian manuscripts in the 4th century BCE. It was exported
to Europe in Roman times but did not become plentiful until sea routes
opened up in the 17th century. The natural material is collected as a precipitate
from a fermented solution of the plant. The colouring component, indigotin,
is extracted as a colourless glycoside, but turns blue with oxidation.
Synthetic indigo was first produced in 1880 by Adolf von Baeyer and became
commercially available in 1897. Made from anthranilic acid, the synthetic
colorant is chemically identical to natural indigo and has almost entirely
replaced the natural dyestuff. Indigo is a fine, intense powder which may
be used directly as a pigment in oil, tempera or watercolour media. It
is listed among the pigments and dyes used for colouring stucco marble
in the seventeenth and eighteenth century.
Synonyms: indigotin; India blue;
intense blue; rock indigo; stone blue; indigo carmine; intense blue; indico;
indicoe; indicum (Pliny); indego; nil; indigo (Fr.); Indigo (Ger.); anil
(Sp.); indaco (It.); aneel; anile; ai (Jap.); blue ynde; blue inde; anneil;
Natural Blue 1; CI 75780 (natural); Vat Blue 1; CI 73000 (synthetic); Pigment
Blue 66
Trench (2000); Wittenburg (1999);
Museum of Fine Arts, Boston (2000)
Iron oxide red - Iron
oxides, in hydrated and anhydrous forms, produce a wide variety of red
shades ranging from light, bright red to a deep purplish red. They can
be natural, earth pigments (hematite, Indian red, Venetian red) or synthetically
prepared pigments (light red). All iron oxide reds are stable, permanent
pigments with good tinting strength. Iron oxides generally provide the
colour in ochres and siennas. It is listed among the pigments used for
colouring stucco marble in the nineteenth and twentieth century.
It is also mentioned among the polishing-red (one of the components?) used
as polish.
Synonyms: red iron oxide; red ochre;
red ochre; haematite; hematite; Indian red; caput mortum; rouge; Persian
red; Tuscan red, Pompeian red; light red; Venetian red; terra Pozzuoli;
English red; pozzuolana, terra di Pozzuoli
Wittenburg (1999); Museum of Fine
Arts, Boston (2000)
Iron vitriol - The term vitriol,
now obsolete, was formerly applied to a number of metal sulphates because
of their glassy appearance. In the twentieth century, coloration of stucco
marble was obtained by chemical reaction involving copper vitriol, iron
vitriol, gypsum and alum with lime. See also : vitriol.
Hampel and Hawley (1982); Wittenburg
(1999)
Ivory black - An impure black
carbon pigment originally prepared from charred ivory or horns. Ivory black
is a fine-grained, intense black pigment. Current formulations of ivory
black usually contain a fine grade of animal black with some Prussian blue.
Animal black, or bone black, contains about 10% carbon along with 84% calcium
hydroxyapatite with smaller amounts of magnesium phosphate and calcium
carbonate. Ivory black is a stable blue-black pigment that is denser than
carbon black and has a good working quality for oil paints and watercolours.
It is listed among the pigments used for colouring stucco marble in the
nineteenth and twentieth century.
Synonyms: bone black; animal black;
drop black; Frankfort black; German black, Pigment Black 9; CI 77267; Paris
black; Elfenbeinschwarz (Ger.); noir d'ivoire (Fr.); abaiser
Wittenburg (1999); Museum of Fine
Arts, Boston (2000)
Japan wax - A pale yellow,
soft vegetable wax obtained from the berries of the Japanese sumac tree,
Rhus verniciflua. Japan wax is a by-product of lacquer manufacture. It
is not a true wax but a fat that contains 10-15% palmitin, stearin and
olein with about 1% japanic acid. Japan wax is sold in flat squares or
disks and has a rancid odour. Japan wax is used as a substitute for beeswax.
Synonyms: Japan tallow; sumac wax;
sumach wax; vegetable wax
Museum of Fine Arts, Boston (2000)
Jute - Long bast fibres obtained
from the stems of linden plants, Corchorus capularis (white jute) or Corchorus
olitorius (Tossa jute). Jute probably originated in the Mediterranean region
and was taken to India and south-east Asia where it flourished. Jute has
been used by man since prehistoric times. The pale brown fibres are soft,
lustrous and coarse ranging in length from 4 to 10 feet. Microscopically,
the fibres exhibit irregular, long cells with a visible lumen. Jute is
composed of cellulose (69%), lignin (18-20%) with some uronic anhydride
(4.5%). The brittle fibres are used to produce a thread called hessian.
Jute becomes so weak when wet that a thin twine can be broken by hand.
It turns brown and degrades with time, sunlight, water, acids, alkalis
and bleach.
Synonyms: Tossa jute; white jute;
Indian jute; hessian; Bengal hemp; Calcutta hemp
Museum of Fine Arts, Boston (2000)
Kaolin - A group of hydrated
aluminium silicate clays. Kaolins are primary clays formed by the weathering
of aluminium silicates such as feldspars and nephelite. When pure, kaolin
is a soft, white, absorbent powder. Impurities may give it a yellow, red,
blue, grey or brownish colour. It occurs at many locations around the world
(France, England, Germany, China, United States, etc.). Kaolin is used
as a base for lake colours and as a filler in paints, cements and epoxies.
Kaolin (brick dust) has been used as an abrasive.
Synonyms: kaolinite; China clay;
bolus alba; porcelain clay; white bole; argilla; paper clay; brick dust;
fuller's earth; white bolus; pipe clay; pipeclay
Museum of Fine Arts, Boston (2000)
Kaolinite Al2Si2O5(OH4)
- A hydrated aluminium silicate mineral which is the principal constituent
of kaolin clay. Kaolinite crystals have a lamellar or plate-like structure
that gives the clay its slippery feel. It is a natural alteration product
of aluminium silicate rocks, such as feldspar. Pure kaolinite is a primary
clay. Most secondary clays contain only a small percentage of kaolinite
(Fournier 1996).
Museum of Fine Arts, Boston (2000);
Fournier (1996).
Keeneís cement/Keenís cement
- Patented by J.D. Greenwood and R.W. Keen in 1838. It is a type
of interior wall plaster obtained from gypsum. Gypsum is heated above 170°C
to form anhydrous calcium sulphate. This was soaked in a solution of alum
(potassium aluminium sulphate) to accelerate the set. The mixture
was then reheated to 400-500*C and ground to form a plaster. Because Keeneís
cement sets more slowly than gypsum plaster it is easier to use; it does
however set more rapidly than lime and produces a hard, smooth finish which
can be painted or wallpapered within a few hours of application.
Ashurst (1983); Trench (2000)
Kieselguhr - A German name
for diatomaceous earth.
Synonyms: diatomaceous earth
Museum of Fine Arts, Boston (2000)
Bibliography
Index
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