La conferenza è organizzata in collaborazione con l'Università IUAV di Venezia, l'Università Ca'Foscari Venezia, Università degli Studi di Verona, The National Gallery London, the University of Warwick, Swansea University, l'Institut d'Etudes Superieure d'Art, Paris (IESA), The Wallace Collection and Collecting and Display Working Group.
Programma della Conferenza
DISCOVERING THE ITALIAN TRECENTO IN THE 19TH CENTURY
DAY 1: 15 NOVEMBER 2013
MORNING SESSION
VENUE: Università IUAV di Venezia (at Palazzo Badoer, San Polo 2468)
9.00 Registration
9.30 WELCOME AND OPENING REMARKS
9.45 Elisa Camporeale: Painting and Literature
10.15 BREAK
PARALLEL SESSIONS
SESSION A. TRECENTO LITERATURE’S HEROES: DANTE & PETRARCH
VENUE: Università IUAV di Venezia at Palazzo Badoer
10.45 Hayley Flynn: Responses to Dante in Art in England. Dante's Topographer: William Blake's Illustrations to the Divine Comedy
11.15 Chiara Moriconi: Responses to Dante in Art in England. Dante Gabriel Rossetti’s "Salutatio Beatricis": Tradition as Translation
11.45 Rina Modonutti: Petrarch’s Revival in 19th-century Padua
12.15 DISCUSSION
12.45 LUNCH BREAK
SESSION B. DOCUMENTATION AND RESTORATION
VENUE: Università Ca’Foscari Venezia (at Palazzo Malcanton, Dorsoduro 3484/D, Calle Contarini)
10.45 Alan Crookham: Another Piece of the Mosaic: Layard and the Albert Memorial
11.15 Francesca Baldry: Gaetano Bianchi: Restoring and Recreating Trecento Frescoes in the 19th Century
11.45 Giorgio Fossaluzza: Dal taccuino alla documentazione fotografica. Il caso dei perduti affreschi trecenteschi del Castello di San Salvatore a Susegana negli studi di Cavalcaselle (1857) e Julius von Schlosser (1898)
12.15 DISCUSSION
12.45 LUNCH BREAK
AFTERNOON SESSION
VENUE: The University of Warwick in Venice (Palazzo Pesaro-Papafava, Cannaregio 3764, Calle de la Rachetta)
CONNOISSEURSHIP & THE GROWTH OF TRECENTO STUDIES (PART 1)
14.30 Marie Cambefort: Ruskin as St Francis
15.00 Silvia Davoli: Dante 'Historian' of his age". The Cavaleri Collection of Dante's Early Editions Formed During the Italian Risorgimento
15.30 Mauro Minardi: The Discovery of Trecento Art in Montefeltro
16.00 BREAK
16.30 Antonella Bellin: Carl Blaas and the Nazarenes 1837-1850: Comparisons and Contrasts
17.00 Julia M. Nauhaus, Bernhard August von Lindenau’s Collection of Early Italian Paintings on Panels in the Lindenau-Museum Altenburg/Thuringia
17.30 DISCUSSION
18.30 BOOK LAUNCH: Alta Macadam, Blue Guide. Venice, hosted by the Circolo Italo-Britannico
DISCOVERING THE ITALIAN TRECENTO IN THE 19TH CENTURY
PART 2: VENICE CONFERENCE
PROGRAMME: DAY 2, 16 NOVEMBER 2013
MORNING SESSION
VENUE: Università Ca’Foscari Venezia (at Palazzo Malcanton, Dorsoduro 3484/D, Calle Contarini)
9.15 Registration
PARALLEL SESSIONS
SESSION A. REDISCOVERING ITALIAN HISTORY
9.30 John Law: Visiting the Della Scala tombs in Verona
10.00 William Caferro, Jacob Burckhardt, Ercole Ricotti and Nineteenth-Century Concept of Individualism
10.30 BREAK
11.00 Gloria Allaire: Medieval Settings and Risorgimento Patriotism in the Operas of Giuseppe Verdi
11.30 Edward English: “Society and Elites in Trecento Italy and European Social Thought before the Great War.”
12.00 DISCUSSION
12.30 LUNCH BREAK
SESSION B. SCULPTURAL & ARCHITECTURAL RESPONSES OF 19th C. TO TRECENTO ART
9.30 Christopher Marsden: Early Renaissance Architecture at the South Kensington Museum
10.00 Monica Minati: La stanza di Dante nel casino Giustiniani-Massimo a Roma: il programma iconografico tra parola e immagine
10.30 BREAK
11.00 Martina Beccatini: The Trecento Room in the Stibbert Museum in Florence
11.30 Marina Niero: Sull'idea di città medievale veicolata dall'Ottocento in relazione a Venezia
12.00 DISCUSSION
12.30 LUNCH BREAK
AFTERNOON SESSION
VENUE: The University of Warwick in Venice (Palazzo Pesaro-Papafava, Cannaregio 3764, Calle de la Rachetta)
CONNOISSEURSHIP AND THE GROWTH OF TRECENTO STUDIES (PART 2)
14.00 Roberto Risso: “Sotto il sembiante d’una pacata mestizia…”: La cacciata del duca d’Atene dal Medioevo all’Ottocento fra cronaca, affresco, narrazione e pittura
14.30 Assunta De Crescenzo (Università “Federico II” – Naples) Foscolo’s Parallel between Dante and Petrarch: A Perfect Harmony of Contrasts
15.00 Hans Bloemsma: Carl Friedrich von Rumohr's assessment of Early Italian Painting
15.30 BREAK
16.00 Corina Meyer, Johann David Passavant and Early Italian Paintings
16.30 Anita Moskowitz: Discovering the Trecento: American Mavericks in the Market: Who, Where, Why, and Why Not?
17.00 ROUND TABLE DISCUSSION
